Moving Futures Festival - 7 mei

Moving Futures Festival

Van vrijdag 25 maart tot en met vrijdag 3 juni 2022 is Moving Futures Festival te zien in negen Nederlandse steden. Moving Futures is hét festival waar je dans van de nieuwste generatie makers in al zijn verschijningsvormen beleeft. Het festival toont vernieuwende dans in een royaal uiteenlopend programma met voorstellingen, installaties, workshops en (after)talks. 
Moving Futures Festival is een initiatief van ICK Artist Space, Dans Brabant, DansAteliers, De Nieuwe Oost, Grand Theatre en Korzo producties.

Christian Guerematchi | Hissy Fit

In Hissy-Fit danst Christian Guerematchi samen met Mark ‘Brui5er’ Sheats en Michael Wanga een muzikaal trio dat gaat over het gewelddadige stigma dat aan de zwarte identiteit wordt verbonden - in de geschiedenisboeken tot aan moderne media. Maar wat doet dit met fragiele jongens die naar mannelijkheid en acceptatie zoeken? 

Hissy-Fit maakt een verbinding tussen de viriele dansstijlen breaking en krump, de populaire muziekstroming drill-rap ,virtual reality en afro-pessimisme. Met live gestuurde videoprojecties brengen de performers hun turbulente binnenwereld dichtbij het publiek. 

Antonin Rioche | Boy oh boy

De wereldberoemde choreograaf Sidi Larbi Cherkaoui moedigde Antonin aan om een eigen stuk te maken. In een zoektocht naar het verschil tussen alleen en eenzaam zijn nam hij zijn reizende leven als danser als uitgangspunt. Antonin creëerde het poëtische Ohboy! waarin de danser zich moet bewegen tussen situaties van rampspoed en fysieke en mentale uitputting. Hij wordt gedwongen zijn kwetsbaarheid te accepteren en dringt door tot de essentie van eenzaamheid.

“Er is een enorm verschil tussen eenzaamheid, je eenzaam voelen, wetende dat je alleen bent, alleen zijn, en isolement.” Antonin Rioche 

Sung Im Her - Aerowaves | Nutcrusher

Starkly repetitive and energetic, NUTCRUSHER looks at sexual objectification and power. The work questions how we relate to our bodies, how they are presented and re-presented, and how cultural context affects this. Sung Im Her is interested in how her three identities of woman, performer and migrant intersect, especially in relation to the #metoo and #timesup movements that began in the west and had a huge impact in Korea.

The #metoo movement in Korea was severely repressed. When allegations/stories started to come to the surface, it had an explosive effect. The work is also informed by experiences of being looked at in unnerving and disempowering ways. With NUTCRUSHER, Sung Im Her draws our attention to the gaze, to how we look and what affect that may have.

English 

Christian Guerematchi | Hissy Fit

In Hissy Fit, Christian Guerematchi, Mark 'Brui5er' Sheats, and Michael Wanga perform a powerful trio that deals with the violent stigma attached to black identity - from the history books to modern media. How does this stigma affect fragile boys searching for 'masculinity' and acceptance?

Hissy Fit connects the virile dance styles breaking and krump, the popular music movement drillrap, virtual reality, and afro-pessimism. With live video projections and sound design, the performers bring their turbulent inner world close to the audience.

Antonin Rioche | Boy oh boy

The world-famous choreographer Sidi Larbi Cherkaoui encouraged Antonin to create his own piece. In a search for the difference between being alone and being lonely, he used his traveling life as a dancer as a starting point. Antonin created the poetical Ohboy!, in which the dancer is forced to move between situations of adversity and physical and mental exhaustion. He is forced to accept his vulnerability and pierces through the essence of loneliness.

“There’s a huge difference between loneliness, feeling lonely, knowing you’re lonely, without anyone, and solitude.” Antonin Rioche 

Sung Im Her - Aerowaves | Nutcrusher

Starkly repetitive and energetic, NUTCRUSHER looks at sexual objectification and power. The work questions how we relate to our bodies, how they are presented and re-presented, and how cultural context affects this. Sung Im Her is interested in how her three identities of woman, performer and migrant intersect, especially in relation to the #metoo and #timesup movements that began in the west and had a huge impact in Korea.

The #metoo movement in Korea was severely repressed. When allegations/stories started to come to the surface, it had an explosive effect. The work is also informed by experiences of being looked at in unnerving and disempowering ways. With NUTCRUSHER, Sung Im Her draws our attention to the gaze, to how we look and what affect that may have.